My artistic practice is rooted in illustration, utilizing fine-line pens, ink, and watercolour washes to depict the concept of the sublime within a contemporary context.

I am most interested in how the traditional sublime, often linked to the grandeur of nature, can form within the complexities of everyday life. My work looks at the sublime from a personal point of view, drawing inspiration from my own personal memories and everyday instances I find myself in. Through my work, I want to evoke feelings commonly associated with the sublime, such as awe and contemplation, the indescribable, all without offering a straightforward narrative.

The process of creating my work is intuitive and varies with each piece. I don’t like to set expectations or plan a finalized outcome; the work evolves as I make it. In doing this, I aim to create a sense of unknown discovery, not only for myself, but also for the viewer. I’m motivated the most by what’s around me, whether that be a moment within my daily life, fleeting memories, or an object that holds personal significance. Ultimately, my work focuses on creating quiet, reflective spaces in which the contemplative everyday meets the unknown, the extraordinary, and the sublime.